![]() I can have fun, and the epitome of "Suicide Squad" is that feeling of adventure and excitement. Rob is cool with that, and so I've been able to tweak things so long as I don't veer too far from where he was going with it. It just sounded like a lot of fun, and I didn't want to impede his creativity because everything that he was telling me I'd be drawing sounded right up my alley.īut what I do when I'm drawing something like working on a specific page, if there's a cool way I see to approach it I'll go in that direction. We talked prior to beginning this arc, and I knew what he wanted to do. With this, I just let him surprise me with the story. What's been your experience working with "Squad" writer Rob Williams in that sense? Sometimes I know you get brought on to draw an arc and you have some input beforehand, and other times you're just as surprised by what happens in the story as the reader. I really love to draw anything that's a bit more out of the ordinary. But Harley's the type of character who's always going to have fun – standing in a weird position or blowing bubbles or making rabbit ears. There are so many times where if it was a different character, they'd just be standing there bored in a room. Whatever panel she's in, it brings her to life. ![]() There are all sorts of postures and funny faces you can make with her. So if I can get a character like Harley Quinn, I can get loose with her and have fun. They're not just cardboard characters anymore to me. The more life they have whether it's crazy or angry or whatever, I get a kick out of rendering them and drawing their emotions. Tony Daniel: You know, I think I just like fun character. Despite these things, I really couldn't get into the story, and it really brought down this half for me.With his drawing board full of the things he loves to make a mess with, CBR caught up with Daniel to explore how the Man of Steel's world complicates the Squad's goals, and why crazy is as crazy does for his art style.ĬBR: With you coming onto "Suicide Squad" for a new arc, it definitely reminded me of some of your past work focusing on characters with psychological issues – your "Detective Comics" run in particular. The positives here are the kick ass action sequences and the art(I mean look at Katana on the left, that's the coolest I've ever seen her!). That is basically what happened, and it bummed me out. Both people get in the way by getting captured, but before things turn sour someone that should have been in the first episode appears.the hint is the title of the book. I'm not even trying to be hyper critical, I cannot tell you anything outside these characters with the exception of one is a teen suffering withdrawal and a kid that is the equal to the kid that tells Batman to kick the Joker's ass in The Dark Knight Returns. The story went practically nowhere as it only introduces more 2 dimensional characters to stand with our heroine. This issue continues to follow our samurai as she fights against the Kobra forces occupying Markovia, while Lady Naja begins attacking civilians to draw out the hero. You have my attention Buccellato and Barr.but the question is can you keep it? Let's dive on in and find out. Deadshot's Mission was a bit flat, but it opened up a character piece on one of our favorite member's as we now are heading into his past to learn, "Who is Deadshot?" Add these two stories with some amazing art and this obvious cash grab was a pretty fun read. Katana's story lacks character, but damn the action of a badass samurai leading a revolution against an evil battalion of snake fetishists is just awesome to look at. Seriously though while the last issue had a few problems, I not only enjoyed it, but also see that there is some real potential for the series. ![]() BarrĪrt by: Viktor Bogdanovic, Richard Friend,īoy have I been trying to avoid writing this review.
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